The Hideaway: Teri Hatcher -- Lizard Woman from TV Guide

Sunday, December 27, 2009

Teri Hatcher -- Lizard Woman from TV Guide

Not only is this weird lady a shoe-in for the next Harley Quinn/Joker Girl, but I noticed she only has twelve teeth on her top row. This is what I do with my time.

If I didn't know any better, and if I believed everything on the internet, she almost seems. . . lizardish. She could pass for a lizard person. I was actually waiting for her tongue to come out all forkish and such.

Don't let her escort you to the next room with the lights dimmed and the shades drawn,you might find she's the last to see you alive.

1 comment:

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In science there is a dictum: don't add an experiment to an experiment. Don't make things unnecessarily complicated. In writing fiction, the more fantastic the tale, the plainer the prose should be. Don't ask your readers to admire your words when you want them to believe your story.

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death.

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To most readers the word 'fiction' is an utter fraud. They are entirely convinced that each character has an exact counterpart in real life and that any small discrepancy with that counterpart is a simple error on the author's part. Consequently, they are totally at a loss if anything essential is altered. Make Abraham Lincoln a dentist, put the Gettysburg Address on his tongue, and nobody will recognize it.

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Writing is easy; all you do is sit staring at a blank sheet of paper until the drops of blood form on your forehead.

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To know is nothing at all; to imagine is everything.

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When writing a novel, thatÕs pretty much entirely what life turns into: 'House burned down. Car stolen. Cat exploded. Did 1500 easy words, so all in all it was a pretty good day.'

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Find the key emotion; this may be all you need know to find your short story.

~F. Scott Fitzgerald

Being an author is like being in charge of your own personal insane asylum.

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Marilyn Monroe wasn't even her real name, Charles Manson isn't his real name, and now, I'm taking that to be my real name. But what's real? You can't find the truth, you just pick the lie you like the best.

~Marilyn Manson.

Do what you can, with what you have, where you are.

~Theodore Roosevelt .

When once the itch of literature comes over a man, nothing can cure it but the scratching of a pen. But if you have not a pen, I suppose you must scratch any way you can.

~Samuel Lover.

Writing is a struggle against silence.

~Carlos Fuentes.

If you haven't got an idea, start a story anyway. You can always throw it away, and maybe by the time you get to the fourth page you will have an idea, and you'll only have to throw away the first three pages.

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Bring all your intelligence to bear on your beginning.

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Any man who keeps working is not a failure. He may not be a great writer, but if he applies the old-fashioned virtues of hard, constant labor, he'll eventually make some kind of career for himself as writer.

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First, find out what your hero wants, then just follow him!

~Ray Bradbury

Beware of self-indulgence. The romance surrounding the writing profession carries several myths: that one must suffer in order to be creative; that one must be cantankerous and objectionable in order to be bright; that ego is paramount over skill; that one can rise to a level from which one can tell the reader to go to hell. These myths, if believed, can ruin you.

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If you believe you can make a living as a writer, you already have enough ego.

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Either a writer doesn't want to talk about his work, or he talks about it more than you want.

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It is perfectly okay to write garbage--as long as you edit brilliantly.

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Books aren't written, they're rewritten. Including your own. It is one of the hardest things to accept, especially after the seventh rewrite hasn't quite done it...

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Never throw up on an editor.

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In writing a series of stories about the same characters, plan the whole series in advance in some detail, to avoid contradictions and inconsistencies.

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I love being a writer. What I can't stand is the paperwork.

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As for me, this is my story: I worked and was tortured. You know what it means to compose? No, thank God, you do not! I believe you have never written to order, by the yard, and have never experienced that hellish torture.

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To write good SF today...you must push further and harder, reach deeper into your own mind until you break through into the strange and terrible country wherein live your own dreams.

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There is no method except to be very intelligent.

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People on the outside think there's something magical about writing, that you go up in the attic at midnight and cast the bones and come down in the morning with a story, but it isn't like that. You sit in back of the typewriter and you work, and that's all there is to it.

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Thank your readers and the critics who praise you, and then ignore them. Write for the most intelligent, wittiest, wisest audience in the universe: Write to please yourself.

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People do not deserve to have good writing, they are so pleased with bad.

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At one time I thought the most important thing was talent. I think now that the young man or the young woman must possess or teach himself, training himself, in infinite patience, which is to try and to try until it comes right. He must train himself in ruthless intolerance--that is to throw away anything that is false no matter how much he might love that page or that paragraph. The most important thing is insight, that is to be--curiosity--to wonder, to mull, and to muse why it is that man does what he does, and if you have that, then I don't think the talent makes much difference, whether you've got it or not.

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In Narnia, Mr. T is a gigantic T-Rex with a lion's tail hanging out of his mouth.